You have questions. I have some answers.

Q: I enjoy the cast and storyline of the new show “Happy Place.” However, I will probably stop watching it because of the annoying laugh track. It is not at all realistic -- it is way too often and sometimes at an inappropriate time. It interrupts the conversations and the flow of the dialog.

Can you tell me why the people in charge think that is necessary? So many other popular comedy shows don't use it.

A: Your complaint is one often received here, as comedies have different ideas about how to generate laughter. Just look at “The Big Bang Theory,” which had laughter while its prequel, “Young Sheldon,” did not, and the in-between story of “Georgie & Mandy’s First Marriage” has what seems more like a chuckle track.

The laughter you hear may be pre-recorded, or from the show’s studio audience, or a combination of audience reaction and electronic effects “sweetening” the reaction. As Jennifer Keishin Armstrong wrote on BBC.com some years back, producers often want "some sort of audience reaction to make the viewing experience more communal," as could be had in a theater. On the other hand, TV veteran (and former U.S. senator) Al Franken once told the Chicago Tribune that an inserted laugh is "like putting a bookmark for the audience saying, 'That was a joke.'"

But did they get the joke? Armstrong noted that Charley Douglass, the sound engineer credited with the first use of pre-recorded laughs, "hated that the studio audiences on the U.S. TV channels' shows laughed at the wrong moments, didn't laugh at the right moments, or laughed too loudly or for too long." An electronic companion was then born, and with it the ongoing debate.

Q; I really enjoyed the first season of “A Man on the Inside.” Ted Danson was terrific as an undercover spy in a retirement home. Is there going to be a second season?

A: Like you, I want one. Danson told the Hollywood Reporter in late October that “Netflix has its system, so we won’t know (about a renewal) for a month, but we seem to be doing really well.” And series creator Mike Schur said the show was pitched “as a series, not a limited thing. … Before the season was even over, we had started saying [a second season] could be this, could be this, and trying to figure out how it would be different and how it would be the same. He can’t go undercover at Pacific View anymore. Obviously, that ship has sailed. But what you have at the end of the season is a 76-year-old man with a new lease on life and a new sense of purpose and a new kind of fledgling career as an undercover detective. … You have a lot of building blocks for future seasons.”

Q: Can you tell me what happened to Grace, the dispatcher on “9-1-1: Lone Star”? Is she off the show or is she coming back?

A: According to Deadline.com, Sierra McClain, who played Grace Ryder on the series, left the show “following some cast renegotiation drama.” Cast members reportedly sought changes in their contracts as the drama started work on its current, fifth (and final) season, but were told there would be no renegotiations, just some cash bonuses. While many cast members came back, McClain did not. On the show, Grace was sent off to work for a Christian charity, and some of this season has involved how her absence has affected her husband Judd (Jim Parrack).

Q: There was a terrific film starring Christian Bale playing a soldier tasked with taking a Native American chief into custody. Along the way he rescued a woman whose entire family had been killed by a tribe. What was its title, and where can it be seen now?

A: I believe you are thinking of the movie “Hostiles,” from 2017. Scott Cooper wrote and directed it, and besides Bale the cast included Rosamund Pike and Wes Studi. It is available for free on Tubi and for a fee on Prime Video, Apple TV, Plex and Fandango at Home.

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